Aaah… my first non-reflective post. It’s good to return to blogging, having kept an eye on my stats during the period I wasn’t writing. Having had 40, 50 or more visits per day during the period in which I was initially writing (having stopped in late September/early October to focus on study), it was a bit disappointing to see the number of visits steadily decreasing as people realised there was nothing new.
But now I’m back and hope to turn all that around. Firstly, I’d like to promote some music I’ve recorded during the study period, a short concept album of sorts. Unfortunately, I can’t seem to embed the music player directly into the blog, but you can listen to (and download) these recordings at my Last.fm page. The idea of a colour-themed concept album (EP, really) came to me when my brother was studying musical general knowledge for his violin exam and was learning about Nicolai Rimsky-Korsakov, a Russian composer of the Romantic era who had colour synesthesia, a condition which caused him to “experience” colours when hearing music played in certain keys.
I casually remarked to my mother that I associated certain colours with various keys and we soon realised that though I did not have synesthesia (I did not vividly “feel” the colours), some of my colour associations were the same as Rimsky-Korsakov’s. This gave me the idea to play with some musical ideas and record a set of improvisations in keys with which I associated colours, using colour-related ideas.
Red is in D minor, a key which I associate with the colour red and contains a lot of arpeggi and sequence passages, which sort of made me think of some exotic or ornate object, returning to loud and powerful tonal notes in the bass. Yellow is in triple time and meant to sound a bit Eastern European in its chord structure, which made me think of old Russian cartoons and storybooks with a big yellow sun. I also associated yellow with A minor. The image underlying Green (G minor) was one of a forest, and so I worked in some (admittedly simple) cross-rhythms to give the sensation of the complexity of the forest, of the trees in three dimensions, randomly scattered. Blue (E minor) is an ocean, with a lapping, repetitve bass line; the waves rising and falling with cresendo and diminuendo. Finally, White is in C major, more conventional and ballad-y with a recurring tonic note in the higher registers. When I was playing around with the ideas on my upright, the image was one of ice and its cold purity, especially through the harmonics that it caused; but unfortunately these were lost when I recorded it on my electronic piano.
I wanted to record a collection of pieces that meant something to me as a whole, unified by the concept and I found this difficult to do as music without words is quite an abstract medium. So I chose the theme of colour to unify the tracks, and the structure of the album as a whole is sort of like a tierce de Picardie, being in minor but ending in major.
The quality of the playing is far from perfect as these were essentially improvisations, but the actual recording quality turned out all right considering I connected an electric piano directly to the microphone plug of my laptop computer and recorded in Audacity without editing the sound (mainly because I don’t know how to). I would be very grateful for any feedback and hope you enjoy listening to the music (it’s available for free download). Hopefully, it’s something I will be doing more of in the future.